I'm a little bit sad that such awesomeness can be reduced to an algorithm. As my graphic designer friends used to joke, "There's a Photoshop filter for that!"
I'd be really impressed if a computer program simulated the -tactile- texture and gamut as well.
Mondrian's New York period paintings are deceptively simple. I've read a teacher's writeup of his student's efforts to recreate Mondrian's Composition (I think). Not easy.
Matching the palette, precise layering, bevels and edges. Mondrian's New York paintings were precise and subtle.
Here's a similar description (can't find the article I vaguely remember):
Two-year study of Mondrian's Victory Boogie Woogie in Gemeentemuseum Den Haag to be rounded off by symposium
Thursday, 28 August 2008
http://www.codart.nl/news/338/
I'd be really impressed if a computer program simulated the -tactile- texture and gamut as well.
Mondrian's New York period paintings are deceptively simple. I've read a teacher's writeup of his student's efforts to recreate Mondrian's Composition (I think). Not easy.
Matching the palette, precise layering, bevels and edges. Mondrian's New York paintings were precise and subtle.
Here's a similar description (can't find the article I vaguely remember):
Two-year study of Mondrian's Victory Boogie Woogie in Gemeentemuseum Den Haag to be rounded off by symposium Thursday, 28 August 2008 http://www.codart.nl/news/338/