> If one compares the [British] Gem and Magnet with a genuinely modern [British] paper, the thing that immediately strikes one is... there are fifteen or twenty characters, all more or less on an equality, with whom readers of different types can identify. In the more modern papers this is not usually the case. Instead of identifying with a schoolboy of more or less his own age, the reader of the Skipper, Hotspur, etc., is led to identify with a G-man, with a Foreign Legionary, with some variant of Tarzan, with an air ace, a master spy, an explorer, a pugilist... This character is intended as a superman... There is a great difference in tone between even the most bloodthirsty English paper and the threepenny Yank Mags... In the Yank Mags you get real blood-lust, really gory descriptions of the all-in, jump-on-his-testicles style fighting, written in a jargon that has been perfected by people who brood end-lessly on violence.
> If one compares the [British] Gem and Magnet with a genuinely modern [British] paper, the thing that immediately strikes one is... there are fifteen or twenty characters, all more or less on an equality, with whom readers of different types can identify. In the more modern papers this is not usually the case. Instead of identifying with a schoolboy of more or less his own age, the reader of the Skipper, Hotspur, etc., is led to identify with a G-man, with a Foreign Legionary, with some variant of Tarzan, with an air ace, a master spy, an explorer, a pugilist... This character is intended as a superman... There is a great difference in tone between even the most bloodthirsty English paper and the threepenny Yank Mags... In the Yank Mags you get real blood-lust, really gory descriptions of the all-in, jump-on-his-testicles style fighting, written in a jargon that has been perfected by people who brood end-lessly on violence.