This is a stupid argument, because even with the most automatic camera you have to point it at something and make a decision about what to frame in. AI music is more like buying a bunch of old unlabelled records from a bargain bin and then praising yourself whenever one of them turns out to be worth listening to.
Of course it's a stupid argument, but it's exactly what the ancestors of today's AI naysayers said when photography became practical.
Then again, it's possible for an art form to exhaust its own possibilities. To the extent that "prompt engineering" is sufficient to generate any music or artwork we have in mind, that seems like an indication that we've reached that point. To the extent that it's not sufficient, that seems like an indication that there's still interesting stuff left to do.
Either way, if you are hoping that things will stay the same, then I'm afraid that neither art nor technology are good career choices.
This is dead wrong. People were open to using it as a tool then as they are now, but not all offerings are of equal value. I know a lot of musicians who would be into an AI 'session buddy' who could play along with them or serve as a tutor for advanced concepts. The existing offerings in the music space are at the level of Deepmind when it made everything look like a dog on acid.
As I've written before, proponents of AI music as an infinity jukebox completely miss the point of how music works. In a social context people want a jukebox to provide favorite (or at least famous) sounds that everyone can vibe along to. People listening on their own either replay their nostalgic favorites or iterate on them if they have a strong genre preference. AI could in theory replace a DJ at a nightclub where not everyone needs to know every song if the vibe is good and the beats are tight, but they will still want someone to focus on. Beyond an intimate small group of people, parties where loud music is blasting off a playlist (or DAT or CD changer) with nobody actively DJing don't work because people quickly feel that if the music is changing independently of the dancefloor then the collective connection is broken.
