It affects even the competent photographer. How many times do you see that photographer with all the gear sit in front of a literal statue and fire off a 30 shot burst in 2 seconds? I don’t envy these pro photo editors either today in sports. I wonder how many shots they have to go through per touchdown from all the photographers at the end zone firing a burst until everyone stands up and throws the ball back at the ref? After a certain point you probably have to just close your eyes and pick one of the shots that looks almost identical to another 400. Not a job for analysis paralysis people. I guess it sure beats having to wait for the slide film to develop.
I suspect most of the time you can eliminate 300 of those 400 right away - they obviously are either too early or too late to capture the moment. On the remaining 100 you can choose any one (or more likely 5 as there are likely several moments - the moment the catch is made and the moment the athlete smiles as he realizes he made that catch).
The reason to take all 400 though as every once in a while one photo is obviously better than another for some reason. You also want several angles because sometimes the light will be wrong at the moment, or someone will happen to be in the way of your shot...
The AI is already picking out the best photo in those 400-shot bursts.
And sometimes it is even combining elements from different photos: Alice had her eyes closed in this otherwise great shot, but in this other shot her eyes were open. A little touch-up and we've got the perfect photo.
