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They did so much more. Thomas made Call On Me, a track he found unsatisfying, and it still ended up as a massive hit because it was stolen from him.


Imagine inventing pumping sidechain compression and finding it unsatisfying.


A YouTube video (that the algorithm loved) about all this and is super interesting: https://youtu.be/wyYAiU4DKUY?si=CpcOuhzAvXs7fqWF


Interesting watch. It leaves some things unexplained though. How did Prydz end up as the artist on a song not in his own style, nearly identical to two previous artists making the same song, based on a re-recording of a sample? I wonder if the label was simply looking for a competent producer to make a version of what they thought would be a hit after having figured out how to clear the sample.


You've got it exactly right. The people at the label knew the loop of Call On Me was sure to be a hit. They only needed another version.




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