> the relation between the focal length and the f-number is known by every photographer
I'm going to disagree with this. I think very few photographers understand what an absolute aperture size is. Here's a good test: If you take a "constant (relative) aperture" zoom lens like a 24-70mm f/2.8, what happens if you keep the aperture "constant" at f/2.8 and zoom the lens in and out? I think the answer will surprise many people.
I think most people don't even know that the f (or incorrectly "F") refers to the focal length; I think the vast majority of photography education just treats "F" or "f/" as some piece of fixed notation or incantation without explaining what it means. (Kind of like if I asked you, what does the "degree" in "degree Celsius" mean?)
> Canon has also made the transition to the syntax "F2.8" in all their RF and RF-S-lenses - at least their product names and labels printed on the lens barrels
Oh wow, I didn't notice this one. Your observation is correct; Canon did change their official naming of RF lenses to use the "F2.8" syntax instead of the previous "f/2.8". Oh well, I still disagree with it because it is bad mathematical syntax and spits in the face of tradition.
> The same is true with the focal length where Canon doesn't print "mm" on the barrel - to achieve a cleaner less mathematical look
True, and I have subconsciously noticed this.
> So I believe what I did here was just go with the trend :-)
Please don't change the naming of old lenses. Also, I would prefer new lenses to be hammered back into the old naming scheme, but that's more open to debate. Curiously, the camera shop Vistek sometimes uses old naming for RF lenses: https://www.vistek.ca/store/434924/canon-rf-1535mm-f28l-usm-... "Canon RF 15-35mm f/2.8L IS USM Lens"
I have checked the video you've linked. My suggestion would be that this whooshing noise is not generated by the piezoelectric part but rather from the connected focusing mechanism (especially the helical focusing barrel which turns, and the focusing lens cell which slides back and forth. These parts sit inside the stationary lens barrel, and so a bit of friction is unavoidable. Just my guess.)
Syntax-wise, I will have to think about it. As with all my other articles, I like being very precise with physical formulas and mathematical expressions. But here is my point: These values in photography are not pinpoint precise anyway. When optical engineers come up with lens designs, the precisely calculated values for the aperture are something like f/4.63 which is then simply rounded to the next possible f-value specified on the lens barrel, and calculated focal length is often 25-49mm and Canon simply names that lens 24-50mm on the barrel (other manufacturers do that in a similar way). So, this is just my personal opinion, but it appears to me that in the context of photography, these values are just halfway decent guide values, almost like approximate descriptions of the lens behaviour. For that reason, I do understand why lens manufacturers move away from the precise syntax, and treat these values more like an abstract product description. Of course, if used in a strictly scientific context, I would rather prefer to use f/4.5. But I might be pretty alone with this view.
PS: I have planned a new chapter explaining all this, including the interesting fact that you've mentioned, where the diameter of the exit pupil actually changes according to the focal length, even with a constant aperture lens. But it will probably be end of summer when this is going online.
> this whooshing noise is not generated by the piezoelectric part but rather from the connected focusing mechanism
Indeed. I never implied that the piezoelectric part makes an audible whooshing noise. I only meant to say that the entire Ring USM system makes that noise, and so it will affect audio recorded on the camera's on-board microphone. Either way, that noise explains the motivation for the development of STM AF and I guess Nano USM.
Agreed with everything else you said. Thanks again for your fantastic articles and replies!
Here is a video showing the "whooshing" noise of Ring USM, and it is clearly in the audible range (not ultrasonic): https://imgur.com/a/canon-ring-usm-autofocus-sound-YCrV1CR
> the relation between the focal length and the f-number is known by every photographer
I'm going to disagree with this. I think very few photographers understand what an absolute aperture size is. Here's a good test: If you take a "constant (relative) aperture" zoom lens like a 24-70mm f/2.8, what happens if you keep the aperture "constant" at f/2.8 and zoom the lens in and out? I think the answer will surprise many people.
I think most people don't even know that the f (or incorrectly "F") refers to the focal length; I think the vast majority of photography education just treats "F" or "f/" as some piece of fixed notation or incantation without explaining what it means. (Kind of like if I asked you, what does the "degree" in "degree Celsius" mean?)
> Canon has also made the transition to the syntax "F2.8" in all their RF and RF-S-lenses - at least their product names and labels printed on the lens barrels
Oh wow, I didn't notice this one. Your observation is correct; Canon did change their official naming of RF lenses to use the "F2.8" syntax instead of the previous "f/2.8". Oh well, I still disagree with it because it is bad mathematical syntax and spits in the face of tradition.
> The same is true with the focal length where Canon doesn't print "mm" on the barrel - to achieve a cleaner less mathematical look
True, and I have subconsciously noticed this.
> So I believe what I did here was just go with the trend :-)
Please don't change the naming of old lenses. Also, I would prefer new lenses to be hammered back into the old naming scheme, but that's more open to debate. Curiously, the camera shop Vistek sometimes uses old naming for RF lenses: https://www.vistek.ca/store/434924/canon-rf-1535mm-f28l-usm-... "Canon RF 15-35mm f/2.8L IS USM Lens"