Is it? I wasn’t aware of “playing a physical instrument on stage with millisecond response times” as a criterion. I’m also confused by the implication that professional composers aren’t using intelligence in their work.
You’re talking about what is sometimes called “superhuman AGI”, human level performance in all things. But AGI includes reaching human levels of performance across a range of cognitive tasks, not ALL cognitive tasks.
If someone claimed they had invented AGI because amongst other things, it could churn out a fresh, original, good composition the day after hearing new input - I think it would be fair to argue that is human level performance in composition.
Defining fresh, good, original is what makes it composition. Not whether it was done in real time; that’s just mechanics.
You can conceivably build something that plays live on stage, responding to other players, creating a “new work”, using super fast detection and probabilistic functions without any intelligence at all.
Is it? I wasn’t aware of “playing a physical instrument on stage with millisecond response times” as a criterion. I’m also confused by the implication that professional composers aren’t using intelligence in their work.
You’re talking about what is sometimes called “superhuman AGI”, human level performance in all things. But AGI includes reaching human levels of performance across a range of cognitive tasks, not ALL cognitive tasks.
If someone claimed they had invented AGI because amongst other things, it could churn out a fresh, original, good composition the day after hearing new input - I think it would be fair to argue that is human level performance in composition.
Defining fresh, good, original is what makes it composition. Not whether it was done in real time; that’s just mechanics.
You can conceivably build something that plays live on stage, responding to other players, creating a “new work”, using super fast detection and probabilistic functions without any intelligence at all.