I'm reading Exhalation. I initially, upon reading to The Merchant and the Alchemist's Gate, thought it was a well-told story, but ultimately another case of a time-travel mechanism that would not hold up through a pause of suspension-of-disbelief. A fantasy that required an uncritical reader: How could it be possible that the stories were so self-consistent, as if driven by prophecy and fate, with all their paradoxes?
I had an insight that made the story click for me: Discard the concept of free-will, and view the entangled system as a whole. The story we see is one state that, out of infinitely many possibilities, is self-consistent. A solution where the characters take an action based on knowledge of the future (etc) that changes this future, or otherwise causes a paradox, is simply not admitted.
This is analogous to a an invalid attempt at solving a differential equation. Out of all possible states, only a select few (or one, or 0) solve the bounds imposed by the system's rules and bounding conditions. This makes them self-consistent, in teh way someone's time-travelling adventure shaped their life recursively. With this perspective, the story is immensely enjoyable and deep.
I read Ted's discussion after regarding the mechanism inspiration from a Kip Thorne concept. Ted also mentions choosing an Islamic society for the backdrop due to its beliefs regarding the will of Allah, and how the characters justified the fates depicted.
I always thought Arrival was built off of Babel-17 by Samuel Delaney, it predates Chiangs work by a few decades.
Different plot, but same underlying concept, the characters learn an alien language that alters their perceptions and they start to be able to see future events.
Maybe that is what I read. When the move came out I wanted to see it. Why ? Because I read the book and thought it was great. I did searches and discovered Arrival was written in 1998 and was a short story.
That was a big surprise because I could have sworn I read that story in the 80s. From what I remember the movie pretty much followed the story I read almost exactly.
I read the original screenplay and the short story before arrival came out and frankly I much prefer the short story. The theme of the short story with respect to the protagonists ability is completely different in the movie!
I read the article, hoping he had published new work. Alas, no. Why! You can’t just write several of the best sci-fi work in this century and just stop. That’s unfair. Can we have one more short story please.
What if solving a mathematical proof could alter your understanding of reality, but you could never remember how or why?
What if physical objects absorbed and radiated the emotions of their owners, and you uncovered one that made you feel nothing at all?
What if you found a hole in the ground that made distance meaningless—how would it reshape your sense of place and connection?
What if the wind could rewrite your language by taking certain words away—how would it change the way you think and communicate?
What if phantom limbs weren’t imaginary, but visible in reflections—what would that mean for our understanding of the body and mind?
What if art could implant vivid false memories of things you’ve never experienced—how would it shape your identity and trust in reality?
What if time itself moved faster or slower depending on whether you were being observed—how would that affect relationships and power dynamics?
What if you could taste the intentions behind food—would you still be able to enjoy a meal, or would eating become an ethical crisis?
What if an artifact could give everyone the same vivid memory of being someone else—how would it change how we perceive individuality and shared experience?
What if the sounds people emitted reflected their truest selves, and someone was born completely silent—what would silence reveal?
What if a forest mirrored human thoughts and emotions through its growth—what would it teach us about ourselves and our impact on nature?
What if you discovered that your inner monologue wasn’t uniquely yours, but shared verbatim with others—what would it mean for your sense of self?
What if the moon were slowly losing its detail, like a drawing being erased—how would it affect humanity’s imagination and sense of permanence?
What if the landscape around you rearranged itself to mirror the emotions of those nearby—how would it influence human behavior and interaction?
What if a newborn’s cries could manipulate distant radio signals to broadcast universal truths—what would those messages tell us, and who would listen?
I had an insight that made the story click for me: Discard the concept of free-will, and view the entangled system as a whole. The story we see is one state that, out of infinitely many possibilities, is self-consistent. A solution where the characters take an action based on knowledge of the future (etc) that changes this future, or otherwise causes a paradox, is simply not admitted.
This is analogous to a an invalid attempt at solving a differential equation. Out of all possible states, only a select few (or one, or 0) solve the bounds imposed by the system's rules and bounding conditions. This makes them self-consistent, in teh way someone's time-travelling adventure shaped their life recursively. With this perspective, the story is immensely enjoyable and deep.
I read Ted's discussion after regarding the mechanism inspiration from a Kip Thorne concept. Ted also mentions choosing an Islamic society for the backdrop due to its beliefs regarding the will of Allah, and how the characters justified the fates depicted.