Retroactively cancelling tickets is a non-starter. Labour intensive and prone to embarrassing false positives.
There are two simple, proven ways to avoid ticket re-sale. The first is to use "print at home" tickets. People are unwilling to repurchase these as there is no guarantee that they won't be sold multiple times. The second is to use a registration system and personalised tickets, ideally with a photo provided by the customer.
I wish Louis CK every success, but operating a ticket agency is a complex business. Not just the ecommerce side (which is a nightmare in itself given the bursty nature of the traffic), but marketing, fulfilment, customer services, reissue and an understanding of local rules and regulations are all essential components.
I'm in the UK where the market is more fragmented (and competitive). I do understand the frustration with Ticketmaster in the US, but good ticket agencies can and do add value to the process - and leave the artist free to concentrate on their art.
> We reserve the right to change the method of delivery to Will Call (pick-up at the box office) at any time after purchase. If we make this change the ticket(s) may be picked up within 2 hours of the show’s start time and a photo ID and the charge card used for the purchase will be required to claim the ticket.
This is the same as your "use a registration system and personalised tickets" solution, except without forcing everybody to go through all that hassle. It seems he's chosen to let a few scalpers have a chance, instead of ruining the experience for everybody.
Also, when you attempt to buy the tickets, (at least for the SF venue), your only delivery method is print at home. It looks like your implied fears that he doesn't know what he's doing are unfounded.
He's a successful and no doubt intelligent person - I'm sure he's thought it through and taken advice. As a live entertainment fan I hope he succeeds - just adding my thoughts.
Collection at box office can be quite chaotic in volume and, in the UK at least, there are often license restrictions as to how many tickets can be issued that way.
Another common problem is that people buy on a parent or friend's card who doesn't attend, or that the card expires before the show and is discarded.
There are two simple, proven ways to avoid ticket re-sale. The first is to use "print at home" tickets. People are unwilling to repurchase these as there is no guarantee that they won't be sold multiple times. The second is to use a registration system and personalised tickets, ideally with a photo provided by the customer.
I wish Louis CK every success, but operating a ticket agency is a complex business. Not just the ecommerce side (which is a nightmare in itself given the bursty nature of the traffic), but marketing, fulfilment, customer services, reissue and an understanding of local rules and regulations are all essential components.
I'm in the UK where the market is more fragmented (and competitive). I do understand the frustration with Ticketmaster in the US, but good ticket agencies can and do add value to the process - and leave the artist free to concentrate on their art.
I work for a (non-TM) ticket agency in the UK.