I can. Book publishers are terrible and they always have been. At least that is the case here in Denmark.
They game our library system, so that books they know won’t sell well but will be lent a lot at the libraries, like a lot of children books are priced ridiculously. These books are never actually put in stores, because why bother? But our libraries, have, to buy them and then pay fees to the publishing houses based on the individual book prices. I guess part of the blame goes to our politicians though.
The worst part is how they pay artists. Authors are paid poorly as touched upon in this article. But illustrators are paid criminally low rates. A children book with 50 pages of breathtaking art can earn you as little as $500 for months for work. Publishers pay your royalties by the size of your printed name on the front of the book. If your name isn’t there you get 0 royalties. If your name is smaller than the other names you get significantly less royalties. If your name is smaller, and, italic, you get almost no royalties and so on.
In general the model has never really worked for anyone except a few authors. There are the famous ones who sell a lot of books and then there are the ones who write a billion children’s books who actually don’t get the majority of their money from publishers but from the government compensation programs. But for the most part publishers have always run a business model akin to music streaming services where only a handful of Danish authors can actually make a living just by selling books. Mean while our publishing houses have been able to employ thousands and keep investors happy.
What a lot of artists and authors have done instead is to form smaller independent publishers. Which means you get 0 advertising and 0 product placement and so on, but ironically often will make you far more money than using the big publishers. These smaller indie publishers, and other creative ways of publishing like the article mentions, aren’t doing poorly. The big publishers are suffering. Thanks to the digital age. But I won’t miss them when they are gone.
> books they know won’t sell well but will be lent a lot at the libraries
This sounds weird. Wouldn’t the books which are lent more also sell more? Childrens books are a big market for book stores and of course they want to sell the most popular books. Are you referring to some particular book which cannot be purchased?
It may sound weird, but there is not a link between lending from libraries and book sales. Some children’s books sell well, but if you go to the sections of them in book stores you’ll rarely find more than a handful of Danish authors represented. The ones which the bookstores know will sell well.
Our Libraries have to make all Danish published material available. Some of this is indeed not bought, but because children’s books are often on the high end of popularity at libraries they generally by every children’s book which gets published buy one of our major publishers. Also, publishers often lobby the municipality politicians who set the overall guidelines for their local libraries to make sure their books are represented.
Out of curiosity, can you provide some examples of these books which are artificially expensive, popular in libraries, but not for sale commercially?
> Also, publishers often lobby the municipality politicians who set the overall guidelines for their local libraries to make sure their books are represented.
Politicians are supposed to set the overall guidelines but not to decide what individial books libraries purchase. Do you have examples where politicians pressure or force libraries to buy specific books?
So, can I publish a book in Denmark, say it costs 1,000 dollars, and your libraries will be forced to buy it just because they have to make "all Danish published material available."?? There must be some sort of guidelines (though seeing how Swedish law works I wouldn't be surprised you guys just "trust" people to price things correctly).
All publishers are required to supply one copy of any published book to the royal library (for free).
Individual libraries are not required to buy any particular book. They have a fixed budget for buying material and will decid based on quality and expected demand.
> I guess part of the blame goes to our politicians though.
There is no universe in which public funds are leeched without political complicity and corruption. Most likely the publishers benefitted are either related to or provided kickbacks to the influential parties.
What do you mean “the deal with the library”? What deal are you referring to? Libraries does not make individual deals with publishers or authors. They buy the books at market price and pay authors some additional royalties determined by objective criteria according to an agreement with the organization for authors and illustrators. It is all public information.
If you want to make an accusation of corruption you need to be more specific.
> Publishers pay your royalties by the size of your printed name on the front of the book. If your name isn’t there you get 0 royalties. If your name is smaller than the other names you get significantly less royalties. If your name is smaller, and, italic, you get almost no royalties and so on.
Who makes decisions for font cover design? Are they in a position to help out their friends with larger typefaces?
> They game our library system, so that books they know won’t sell well but will be lent a lot at the libraries, like a lot of children books are priced ridiculously. These books are never actually put in stores, because why bother? But our libraries, have, to buy them and then pay fees to the publishing houses based on the individual book prices.
This is also true of academic presses. Their market are university research libraries who will pay $400 for a two-volume tome on the spread of printing presses in the New World colonies.
As far as I can tell, the comment you are replying to is just making shit up. The claim about royalties depending on the cover make absolutely no sense, since it is the publisher who commision the cover design.
If you can find people that do months of work for 500 in Denmark of all places then clearly this activity is understood to be a high status signal not a business opportunity.
People are doing it for recognition or some vague notion of arriving as an artist. You can earn that in a week as a waiter
They game our library system, so that books they know won’t sell well but will be lent a lot at the libraries, like a lot of children books are priced ridiculously. These books are never actually put in stores, because why bother? But our libraries, have, to buy them and then pay fees to the publishing houses based on the individual book prices. I guess part of the blame goes to our politicians though.
The worst part is how they pay artists. Authors are paid poorly as touched upon in this article. But illustrators are paid criminally low rates. A children book with 50 pages of breathtaking art can earn you as little as $500 for months for work. Publishers pay your royalties by the size of your printed name on the front of the book. If your name isn’t there you get 0 royalties. If your name is smaller than the other names you get significantly less royalties. If your name is smaller, and, italic, you get almost no royalties and so on.
In general the model has never really worked for anyone except a few authors. There are the famous ones who sell a lot of books and then there are the ones who write a billion children’s books who actually don’t get the majority of their money from publishers but from the government compensation programs. But for the most part publishers have always run a business model akin to music streaming services where only a handful of Danish authors can actually make a living just by selling books. Mean while our publishing houses have been able to employ thousands and keep investors happy.
What a lot of artists and authors have done instead is to form smaller independent publishers. Which means you get 0 advertising and 0 product placement and so on, but ironically often will make you far more money than using the big publishers. These smaller indie publishers, and other creative ways of publishing like the article mentions, aren’t doing poorly. The big publishers are suffering. Thanks to the digital age. But I won’t miss them when they are gone.