I hope you dont feel forced to like it in order to this of yourself as an art lover. That would be wrong. No one likes everything in a gallery after all.
Re Serra, one of the problems I have with it is that displaying a gigantic work in the confines of a gallery just feels, well, confining. You already know the boundaries of the space because you can see the walls, the ceiling, the giftshop, etc.
If the aim is to induce a sense of awe, or perhaps unease, at the mass of the work, or its size, rather like you might feel at an old site like Stonehenge, that effect is lost in the gallery.
In fact there is a general problem with how we display art that is not easily soluble. Much of what is in museums and galleries today was created and sold for a single buyer/viewer. Such works reward close inspection over many years by the owner. Maybe one year you see something you never saw before. That effect is totally lost in a gallery.
Re Serra, one of the problems I have with it is that displaying a gigantic work in the confines of a gallery just feels, well, confining. You already know the boundaries of the space because you can see the walls, the ceiling, the giftshop, etc.
If the aim is to induce a sense of awe, or perhaps unease, at the mass of the work, or its size, rather like you might feel at an old site like Stonehenge, that effect is lost in the gallery.
In fact there is a general problem with how we display art that is not easily soluble. Much of what is in museums and galleries today was created and sold for a single buyer/viewer. Such works reward close inspection over many years by the owner. Maybe one year you see something you never saw before. That effect is totally lost in a gallery.