Depends on how you mean. My modular synth has many Chord Organ and Radio Music modules, by Tom Whitwell of Music Thing Modular. They're all Teensy 3.1 and the audio's taken off an extra pin (not in the DIP configuration, and I've forgotten to include it before) and buffered with simple TL07* op amps. It's mono, I think it's 44.1k and effectively 12-bit, and I suspect it needs the op-amps for buffering and boosting, but it's absolutely there and that's the 'cruder ways' and though it's primitive and mono it absolutely works, and works surprisingly well with filtering/reverb/etc.
What I'd like is a Teensy board with SERIOUS analog output that still works with my Chord Organ firmware. Like 192k (or indeed 96k) and 24 bit… but I could get a lot of use out of even low-bit at elevated sample rates, because one of my options for coding stuff on the firmware and Tom's eurorack module hardware is using the Teensy's library to produce multiple square waves.
If I'm outputting square waves I can use almost arbitrarily low-bit word length, but high sample rate will greatly reduce aliasing, and not just for high frequencies. The Teensy raw audio stuff has a characteristic grunginess on squares and saws that is mostly or entirely about aliasing.
What I'd like is a Teensy board with SERIOUS analog output that still works with my Chord Organ firmware. Like 192k (or indeed 96k) and 24 bit… but I could get a lot of use out of even low-bit at elevated sample rates, because one of my options for coding stuff on the firmware and Tom's eurorack module hardware is using the Teensy's library to produce multiple square waves.
If I'm outputting square waves I can use almost arbitrarily low-bit word length, but high sample rate will greatly reduce aliasing, and not just for high frequencies. The Teensy raw audio stuff has a characteristic grunginess on squares and saws that is mostly or entirely about aliasing.