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> There were many beneficiaries to its extension, large and small.

The public did not benefit in any way from its extension. Quite the opposite: every time the duration of copyright terms is extended, the public is robbed of its rights so that corporations which have already made billions off of their copyrighted works can make even more money. When was the last time some copyrighted work entered the public domain? Probably the early 20th century. When people think public domain, what comes to mind is renaissance art and classical music. The truth is everything created in the 80s and before should already be in the public domain and that's very generous, more than enough time for companies to get rich off of their creations.

The original social contract behind copyright was "we'll pretend your intellectual work is scarce for some time so you can profit and then it will enter the public domain". Works aren't entering the public domain because every time Mickey Mouse is about to become public property Disney spends millions lobbying the government in order to extend the copyright duration. Copyright is effectively infinite despite what the law says. So why should the public recognize copyright as legitimate to begin with?



This! Disney has morphed copywrite without any input from the public. What sort of contract is valid if only one party changes the terms and the other never agreed to it?


I'm not a fan of copyright law, so don't take this limited factual response as an attempt at a general refutation of your points.

>When was the last time some copyrighted work entered the public domain?

January 1st, 2020: https://en.wikipedia.org/wiki/2020_in_public_domain


So, things made about 100 years ago are finally making it into the public domain..

I don't know.. I mean yeah, but something strikes me as really wrong about that.




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