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I think it's because he hadn't learned a whole lot of bad pacing habits at that point, but had already developed a strong descriptive style. Snow Crash is an evolution of that. The pacing is a mess, but entertainingly so, and the first-class descriptive writing and dialogue makes up for it.

He desperately needs an iron-fisted editor in his life. It's a tragedy that he doesn't.



In what ways is the “pacing” of Snow Crash a “mess”? Not really familiar with the concept of pacing. Thanks




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