(1) I'm with him on her technical composition of a story being hard to tease apart (in a good way) but not so sure about them seeming unusually real or true. Structure and purpose of the novels' parts, the flow from incident to incident and scene to scene, is smooth and natural (more or less), plot, I dunno. Probably a personal thing.
(2) seems wrong to me, if by "literary" he means "broadly recognized as part of the 'Western Canon'" and not "recent works self-consciously written as literary fiction". Most read aloud really well, in my experience.
(3) Ugh.
(4) Austen's among the widest-read of the "canon", and not especially challenging (probably not an unrelated fact). This comparison is a real stretch. He couldn't think of someone better to use as an example? Huh.
(5) IDK about using it to illustrate this particular point, but yeah, basically.
If you struggle with Pride and Prejudice and Sense and Sensibility (I do—I find them too smug in a "gee look at me, the author, writing such clever things" way, though I think that's what people like about them so it must just be a me problem) try Persuasion. It's short and apparently Austen didn't get a chance to do her usual "punch-up" edit before she died, which probably explains why it comes off (to me) as less full of itself than the others and a much more agreeable read.
Emma seems to be her parody of herself, as best I can figure. I enjoyed it. Longer. Desperately wants to be a tragedy. (spoiler?) Isn't. Probably it shouldn't be, I mean she's Jane Austen and I'm just some asshole. Oh well, still good.
Haven't read Mansfield, which I understand is very well regarded, or her juvenilia. Tried Northanger but seemed pointless without a better-annotated copy, which I'll probably get around to acquiring and reading some day.
(2) seems wrong to me, if by "literary" he means "broadly recognized as part of the 'Western Canon'" and not "recent works self-consciously written as literary fiction". Most read aloud really well, in my experience.
(3) Ugh.
(4) Austen's among the widest-read of the "canon", and not especially challenging (probably not an unrelated fact). This comparison is a real stretch. He couldn't think of someone better to use as an example? Huh.
(5) IDK about using it to illustrate this particular point, but yeah, basically.
If you struggle with Pride and Prejudice and Sense and Sensibility (I do—I find them too smug in a "gee look at me, the author, writing such clever things" way, though I think that's what people like about them so it must just be a me problem) try Persuasion. It's short and apparently Austen didn't get a chance to do her usual "punch-up" edit before she died, which probably explains why it comes off (to me) as less full of itself than the others and a much more agreeable read.
Emma seems to be her parody of herself, as best I can figure. I enjoyed it. Longer. Desperately wants to be a tragedy. (spoiler?) Isn't. Probably it shouldn't be, I mean she's Jane Austen and I'm just some asshole. Oh well, still good.
Haven't read Mansfield, which I understand is very well regarded, or her juvenilia. Tried Northanger but seemed pointless without a better-annotated copy, which I'll probably get around to acquiring and reading some day.