"As per the request of heirs of Gershwin's catalogue, only Afro-American singers are allowed to perform the piece, and maybe this was due to a mistake, but the fact is that the Hungarian Opera was offered a contract last year that did not have the famous "all-black cast" clause, which they ended up going for."
The requirement of allowing only Afro-American singers seems unreasonably restrictive if you want it to be performed outside the US. And having an all-black cast is not the same thing. Not all black people are American. Not all black people trace their ancestry to Africa (except in the way all humans eventually do, of course). And not all Africans are black.
So mixing up black and Afro-American may usually end up being the same thing when you're in the US, outside the US it becomes a lot more complex. It becomes a requirement to hire people from the US and a ban on local singers who didn't emigrate from the US.
There is of course the letter of the rule and the spirit of the rule. The piece is explicitly about black Americans. Does that mean it can't be performed by non-Americans? By people who aren't black? If it turns out there are no black opera singers in Hungary, does this mean Hungarians shouldn't be exposed to this important piece of black culture? It does feel a bit like one of those cases where a totally justified attempt to to justice to an oppressed minority in the US turns into American cultural imperialism once you leave the country. Then again, it is a piece of American culture.
The requirement of allowing only Afro-American singers seems unreasonably restrictive if you want it to be performed outside the US. And having an all-black cast is not the same thing. Not all black people are American. Not all black people trace their ancestry to Africa (except in the way all humans eventually do, of course). And not all Africans are black.
So mixing up black and Afro-American may usually end up being the same thing when you're in the US, outside the US it becomes a lot more complex. It becomes a requirement to hire people from the US and a ban on local singers who didn't emigrate from the US.
There is of course the letter of the rule and the spirit of the rule. The piece is explicitly about black Americans. Does that mean it can't be performed by non-Americans? By people who aren't black? If it turns out there are no black opera singers in Hungary, does this mean Hungarians shouldn't be exposed to this important piece of black culture? It does feel a bit like one of those cases where a totally justified attempt to to justice to an oppressed minority in the US turns into American cultural imperialism once you leave the country. Then again, it is a piece of American culture.