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To add to your comment, from what I know of the independent watch industry, it's exceedingly difficult to branch off on your own as a watchmaker and survive long term. Those apprentices need salaries after all. It seems to take not just incredible technical and artistic ability, but a knack for business and entrepreneurship as well. In addition, the independent watchmaking brands tend to have so much of their prestige wrapped up in their namesake's persona, rightfully so in my opinion, that it makes it difficult for them to survive once they are no longer able to lead the company.

Also, I believe that even amongst the highest echelons of independent watchmakers, few are able to survive on their brand alone and rely heavily on either restoration work, work for larger more established brands, or a combination of the two. Even guys like Dufour and Voutilainen, two of the most respected independents in the watch world, partake in outside work for the big brands like Patek, VC, and AP.

If anyone is interested this is a post on a fairly recent visit to Beat Haldimann's workshop[1]. One of my favorite articles on these kinds of visits is from 2006 and involves a visit to the home/atelier of a former French kickboxing champion turned watchmaker[2].

[1]http://www.watchprosite.com/independents/a-true-discovery-my...

[2]http://www.watchprosite.com/richard-mille/alone-with-the-rm0...



Looking at link [1]

I wonder if those huge street 'watches' are actually apprentice pieces? The large scale of the movement making them easier to make and, I presume, less susceptible to small errors in the making of the parts?




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