Yeah. The single person who ran the BioJulia website disappeared (as people sometimes do in open-source volunteer work), and no-one else had permissions to the website or the domain. Oops.
We moved the website to https://biojulia.dev/, with permissions given to more people, including a core dev of Julia. That should reduce the risk of this happening again.
I feel like the difference isn't so much that you have AI recommendations or that of a human, but rather the entire environment is fundamentally different.
With Netflix or whatever Streaming Service you have you have an immense catalogue coupled with ease of access to get ratings/critiques/etc. There is so many things to choose from and it's so easy to just say "no" to a suggestion, and likely that thing you said "no" to will still be there tomorrow. Why not just keep browsing?
With the video store of old it's so much more purposeful. You pick up a movie, and you feel incentivized to watch it because you literally just paid for it. You paid for that one Movie, not access to the entire store (which you also need to physically go to, and then come all the way back home with a tape or dvd). Also the ubiquity of movie/tv reviews was not as present so you don't necessarily feel like you're making a bad choice.
> With Netflix or whatever Streaming Service you have you have an immense catalogue…
I got curious, so let's look it up.
Googling, it looks like maybe Netflix has 17,000 titles total in in it's collection internationally in april 2022, but only a portion of those are available in a given market. One page from 2021 said the US catalog was ~5K titles, but I bet it's bigger in 2022 as the overall catalog has grown as much as 30% maybe. So I dunno, let's say somewhere between 5K and 8K titles available in USA market netflix?
How many titles did a typical Blockbuster carry? From 1988: "Blockbuster, for instance, operates superstores that stock roughly 10,000 tapes (about 6,500 different titles), compared to the 1,500 to 2,500 a typical independent offers." —https://www.nytimes.com/1988/05/01/business/a-tight-squeeze-...
(Blockbuster didn't have much/any TV, while that's potentially a big part of Netflix though?)
So it's the same ballpark anyway. Netflix doesn't actually have a whole lot more titles than a Blockbuster did.
Blockbuster carried the latest movies from all the studios. Everything newest and most desirable. They had a smattering of classics and art house and older genre films, but mostly it was about everything latest and greatest.
Netflix streaming seemed like that at first, but better! Now, they have a tiny slice of content. And as a content-producer, they seem willing to throw money at anything B-list.
Meanwhile, the studios became more risk averse as people started preferring to watch at home. Then theaters shut down and studios became more risk averse. And Netflix and Amazon arose and started playing studio games and studios became even more risk averse.
That trajectory of fear is mirrored in the content. The 1970s were known for directorial freedom and risk-taking. The 70s gave us Apocalypse Now, Taxi Driver, The Godfather, Star Wars, Animal House, Annie Hall, Rocky, Halloween, Smokey and the Bandit, Deliverance, MASH, and more - not all high art but all complete gems. Every decade since, we've seen a gradual progression toward samey-ness.
Exactly. Blockbuster had all the movies the average person would be able to know about. Any movie that was advertised and known by the general public could be picked up at blockbuster and watched. It's not like that now. Now I have to Google which streaming service can I stream this or that on and then go to that service. It's as if there was a paramount movie store on one side of town, a Disney one on the other, MGM on the other. It's like car dealerships now, it used to be like grocery stores.
I’ve been to a lot of Blockbusters and no way did any of them carry 6500 movies. Maybe 1000 tops. The majority of shelves were 20 boxes of the same tape/dvd for the most popular titles + 1-3 for other titles
It's just your usual nostalgia. I lived in the age before internet and it was shit.
Then Kazaa happened and I could finally download Naruto and Gundam.
For me (my 2 cents), I think it's more than nostalgia. It's about community. It's about face to face interaction. I recently listened to a piece on NPR about lunches and working in France and why it's important. https://www.npr.org/2022/06/07/1103566695/lunching-work-when...
The part I took away was how everyone sat together for lunch and you might find yourself at a table with a stranger who is not in your field but you just talk and you create community.
And face to face is different than online. I do both and for me the face to face interaction is what makes life enjoyable.
That, in a nutshell, is what is valuable about going into a Blockbuster (or any store, restaurant, etc ) meeting people and building relationships.
Take this comment for instance; if I were to have this conversation face to face, it would be a completely different experience. The other party could hear the tone of my voice, see the expression on my face. We could shake hands, slap each other on the shoulder, and share a drink together.
I can’t overstate the value of the lunch hour in France, it’s by far the best part of my day and has made my PhD bearable, enjoyable even despite the difficult pandemic environment.
It’s allowed me to learn from colleagues, make friends and create a sense of belonging, my lab isn’t just an abstract organization but a group of interesting people.
I agree with you, I miss it. And some of this is pandemic-inspired too, really missed human contact then, and in the USA I worry some of it is never coming back.
And yet, my city DOES have an independent/artsy local video rental store, that I'm sure has all sorts of things I'd like watching. I don't go to it. I don't even have a DVD player or VCR. I stream.
Don't get me wrong. I stream too. I think technology is great. I'm only a Luddite when my code won't compile. I do a lot of things on line. At least 8 hours of my day is developing software from my home, so my only interaction with my coworkers is through software. And I enjoy forums like Hacker News. And it's really convenient to instantly get a video.
But I also love going to the book store with my kids and thumbing through the books and videos and music. Picking them up, smelling them (helpless romantic I guess), talking about them.
The other day, a random person came up to me and shared a memory of her child because of something she overheard me say to my child and it was a great interaction. I felt connected in a way I maybe didn't realize I missed. And it wouldn't have happened (not the same way at least) online.
I'm just reporting the number of titles they had and the number netflix does.
Definitely you can now get access to almost everything that exists from your own home, including things that were hard to find before, for sure. especially if you know how to and are willing to pirate. (You actually can't currently get Naruto or Gundam on netflix us streaming, can you?)
I fully agree but I also think that those “Daves” had something that current recommendation engines do not: an understanding of the many subtle things that make a movie right for you at that moment.
It’s still going to be a while before a recommendation engine takes in to account the kind of day you’ve had, whether anyone else is going to join you, how you and your spouse are doing today, how you want to start the night, how you want to end the night, and so-on. A good staff member can answer all those questions just by looking you in the eyes.
I think it also costs Netflix more to offer high quality films to stream so there is a disincentive to quality and you have to really search sometimes. Blockbuster was more random than efficient/algorithmic like you would find a classic next to a complete dud which was kind of fun.
Going to the video store was organic and analog. Like going to your barista that still insists on using the hand pump espresso machine. Perhaps the human touch still is the best?
Basically all these runs are "limited edition" and are pre-sold. But you can find a lot of people reselling on some markets. I used the one on reddit [0] until keyboards stop being a "hobby" for me.
It's a shame that the RTS is a dying genre but those three issues he states are pretty spot on of why they aren't as popular anymore. Those three issues are also some of the most defining aspects of RTS games, especially competitive RTS games.
There was a time where I tried to get really good at AoE2, but it is a mentally exhausting "hobby". 1v1s in AoE2 feel like fencing whilst trying to do an obstacle course. There is so much to know and it's quite hard to execute everything you want while being harassed and prodded by your opponent.
I used to have consistent but relatively mild wrist pain from using a standard keyboard all day, but I was able to alleviate that once I switched to a split ergonomic keyboard which I made.
For anyone who also wants to get their feet wet in the world of custom keyboards it certainly isn't as daunting as you might think. You don't have to necessarily go ortholinear, and you certainly don't have to stray from QWERTY. In fact, just learning to properly touch type and making sure the "right" fingers are hitting the right keys goes a long way with a split keyboard.
I found a lot of my own wrist pain was from the unnatural position that your arms and wrists are in to support a non split keyboard + the unnecessary hand/wrist movement to hit keys with the "wrong" fingers. An ortholinear (or at least column linear) keyboard can go a long way in teaching you where your fingers are supposed to go as long as you are willing to spend a weekend or two learning how to type again.
If you are thinking of diving into making your own, I would recommend the following vendors for kits:
